jan vervloet rmx - bound to work those big systems!

q hey (masaya kyuhei) started djing in 1989, and since then, has been one of the few key individuals of japans club scene (along with takkyu ishino, ken ishii, fumiya tanaka). with determination, focus, hard work, and with the support of loyal fans, he is one of tokyos techno milestones. from club events to massive outdoor music festivals, q hey is the artist who always delivers. his newest ep on mbelektronics is again a banger, backed up with two firm remixes of marco bailey & tom hades and redhead. dancefloor madness guaranteed!

second 12 inch record on hands of time comes from san fransiscos beat broker who have previously released records on such acclaimed labels as flexx, disques sinthomme and ghost town as well as remix work for eskimo, internasjonal and rebirth to name a few.
we know you will enjoy this one..
support comes from joakim, greg wilson, tensnake, baby g, phoreski, ilija rudman, james murphy, steve yanko, mike burns, etc..

subb-an & adam shelton present one records, cultivated directly from five years experience at the helm of below, one of the uks most upfront and authentic underground parties, the label aims to encapsulate the energy and dexterity of artists and crowds the night has connected with most. the labels debut release comes from its founders, subb-an & shelton, with >feel the musik< ep, a retro infused collection of driving dancefloor tracks. each stamped with a dash of ibican spirit and explosive energy. subb-an has gained familiarity and become a talent to watch through his releases on immigrant and leftroom. he has a distinctly vivacious sound and is a youthful and passionate artist with some tasty scheduled remixes coming up on b-pitch, hypercolour, 2020vision plus a full release coming up with mothership. he is resident at below in birmingham and regularly takes his dj and impressive live set to the best european destinations. this is the debut release from adam shelton, founder of below, which has exploded over the past five years to become named the best uk club night outside london in major press. shelton has found major recognition from his peers and been asked to play everywhere from panoramabar to space in ibiza. his pioneering sound and spirit has propelled below to the heights of appreciation and he is subsequently tunneling this ambition and focus into the one record label. future releases due from the label come from back2basics resident and leeds one to watch buckley, little fritter and further collaborations and solo work from subb-an and shelton. each ep will introduce new talent and deliver first-rate material with 2 solid tracks + 2 added tools for dj use on every release.

2002 classic by yann fontaine (ovum. low pressings) with a deep, deep rerub from west caost favourite lance desardi (seasons). in a very metro area vibe, lance takes the dubby tech original into a smoked out trip of new wave keys and mininimal drums, that morgan geist would sweat on. the flip heads into rob paine world, with a low rumbling bassline and rasta fills. a litle more reserved than yanns normal tech housers, this is a cool track that could easily be on bluem or environ.

reincarnation is proud to present on its 10th release the wonderfull work of a young upcoming and uncompromising italian talent: marcelo napoletano. fresh from releases on the mathematics and unified labels outta chicago, marcello delivers 4 slices of deep raw hypnotic house! expect more of his deadly material on reincarnation in the next months...

tha playah proudly presents his new single, of course brought on the mighty neophyte records imprint! three monster tunes, taken from is his forthcoming new album >walking the line< are takin hardcore to a next level again... superb piece of work by tha playah who gives you two brand new tracks >my misery< and >why so serious?< which both receive full dj support from all main hardcore jocks... on top of this a slammin dj d vs nitrogenetics remix of tha playahs classic track >bling bling< so what more can you wish for?

sex tags mania with more leftfield dance music... the label just does what they feel and that goes from crazy nordic afro funk (see recent sex tags amfibia release) to intens house tracks, uptempo techno or just raw low-key tracks like this one. they have at least one major fan called omar s who loves the label!
produced and recorded live by don papa at work it studios, moss norway in 1999 and 2000.if you are ever in norway, take a trip to moss and visit platesjappa - old school records with soul. you might meet don papa and the likeminded.

playmobil is celebrating its tenth release with the mastermind from greece mister mihalis safras. with all the work he does for his incredible material labels he still found the time to produce these magnificent tracks for playmobil! 3 great tracks that have been tested over and over on his many trips abroad. you know what to expect..

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

the viennese djs and producers smacs & patrick kong transformed their studio into a grow room. >no more experiments!< says smacs, when being interrogated about specific preparations for gigs outside of the austrian capital. their critics say: >on the long run the move towards self catering and regional consumer awareness will lower the production output of s&p<. the critics are full of shit though, because the opposite is happening. the recording booths new dedication >gives (you) wings< as a globally known austrian marketing slogan states. >growers< simply became their new single theme. of course dirt crew is around handling business when things get dirty in the techno scene. but instead of cleaning up, the two berliners mash the dope up with their favorite flavors and create special blend of its own, which will probably make it into this years finals of the legendary grand cup. indoor or outdoor, this tune will work!

sahin meyers offering comprises 2 very techno-dub influenced deep-house tracks. remixes of >world cup of the future< come from berlin-native eva be, who might be known for her previous work on best seven/ sonar kollektiv and jacek sienkewicz of techno-fame. and now: kickoff

played by karotte !!! with his newest ep on wagon repair (ghosts in the ai - wag058), mathew jonson looks to both the past and future to create a stunning release. track 1 - ghosts in the ai - is the first solo production that was made in wagon repairs new berlin studios. finally, in a real place to work, and with a lot of new gear to play with, mathew focuses on evoking both the future and technology to wonderful affect. track 2 - technology - comes from mathews past as it was created around the same time as tracks like octagon came out on iiwii. originally, it was going to be the first cut on his debut album that he was planning to release. on the day that mathew was looking for a b-side track for the ghosts in the ai ep, his brother, nathan (hrdvsion), played it over the phone asking him why he had not released it, as it was one of nathans favourites. it worked much better than the other track that was going to be on here so thanks, hrdvsion. track 3 - the alchemist - comes from mathews involvement this summer producing the music score for the old classic silent film faust, which was screened, complete with cobblestone jazz playing the score live, at the 2009 timewarp festival. the alchemist was written for the scene when faust is working in his laboratory then walks out into the snow to summon the devil to help with his work. a fitting piece indeed!

the hidden cameras never fail to capture the imagination. orchestrated by leader joel gibb, their live spectacles are unconventional to say the least ? everything from blindfolded band members and string players to go go dancers shimmying alongside gospel choirs. the hidden cameras latest work, origin: orphan, is equally ingenious as the four previous albums.

nooncat is back with a masterpiece, an album filled with captivating and strong sounds. he made an incredible work and it’s apleasure for us at dilek records to release this amazing double vinyl edition full of surprises and quality tracks of our russia

incl paul kalkbrenner remix /// undo & vicknoise, factor city s resident pioneers of the epic groove, return with their most accomplished work to date. a double-sided dancefloor depth-charge which further defines the aesthetic of barcelona s finest electronic export !! ltd repress

and here we go again! this time with a great dualton release! dualton already worked for labels like rompecabeza, micro.fon and viva music and already had big success with their releases! now it is time to present this great masterpiece of their work together with david pher (glueckskind, tsuba , viva music) and steffen herb (rekids, souvenir) remixes! cool playful and deep techhouse waiting for ya!big support by: richie hawtin, laurent garnier, danny tenaglia, thomas schumacher, shinedoe, m.in, emerson, kaiserdisco, rampa and many more.

seit mehr als 12 jahren gehören die aus stuttgart stammenden gebrüder alexander und sebastian schwarz zu den international angesehensten protagonisten eines innovativen house-verständnisses einfach dazu. mit ihrer vorliebe für deepen und dennoch fordernden house zwischen tradition und moderne können die beiden auf eine schier endlose liste an koproduktionen und remixes zurückblicken, bei denen zusammenarbeiten mit den masters at work, underworld, missy elliott, madonna und depeche mode nur die prominente spitze des eisbergs darstellen. nach dem beitrag zu den >cocoon morphs tokyo<-eps aus dem vergangenen jahr (liquid cherries) setzen tiefschwarz diesmal auf perkussive reduktion mit schneidenden handclaps und starken vocal-samples (fall in). eine wahre perle liefern die beiden aber vor allem mit keep on ab, das zunächst mit delay-vocals und überraschenden noise-effekten dem bass die regie überlässt, um dann aber doch mit orgel und xylophon-parts sehr organische und jazzige elemente in den vordergrund zu rücken. so setzen tiefschwarz mit deeper und klaustrophobischer darkness einen ersten maßstab für modernen house-sound im jahr 2010

reaching back through time to lay hands in the forges of metal, nycs children riff out the present with their debut, hard times hanging at the end of the world. formed through jam sessions by guitarists skyler spohn, jonny rad ollsin (formerly of vancouvers s.t.r.e.e.t.s.), and drummer adam bennati (of early man), the group laid waste to clubs in and around the city beginning in late 2006, and have kept shredding onward. tradition meets stamina head on throughout hard times six massive tracks. with intricate, narrative dual guitar work and a frenzied, wired demeanor children bring it all together: thrash advancements, serious girth, familiar passages crosscut with relentless speed, a formidable edge, and self proclaimed spiritual conspiracy party riffs.

with the huge stormtrooper and amok release still fresh in the memory its time for the new one on amoks flagship. during his numerous dj sets all over the world he has the option to test all this new tracks he gets from so many good producers in the world. this time he collects the best of them and puts it all on one ep. a various artists ep selected and tested by the man himself. what else do you want!

>seleccion natural< is a project made by the cream of spanish techno, this four part work has seen the light on different labels and now its time for warm up.
oscar mulero delivers the original parts and version for this tune, reworked and revisited by the rest of the partners in crime: christian wunsch, exium and reeko, each one giving their own vision on the noises made by oscar.
original mix kicks off with broken rhythms, crunchy and industrial like, with a heavy synth line approaching till sweeping drones and abstract textures bring to an epic breakdown that will sure destroy more than one bass speaker. another energetic piece of intelligent dance floor techno.
wunschs work is more direct and 4x4 based, taking the synth line from the original and adding detroit flavoured stabs and sharp claps to make a massive techno tool.
exium offers a completely different vision, using the drones and textures as starring, plus arpeggiated synths and baroque percussions fills the arrangement. energy is the word for this remake.
closing release reekos version recreate the spirit of the original, with broken drums again, using the synths on a clever way, extending the arrangement longer on an epic development till the bass drum comes in after 3 minutes of metallic madness. the ultimate release of a series on the most eclectic way. absolute quality.

with the huge stormtrooper and amok release still fresh in the memory its time for the new one on amoks flagship. during his numerous dj sets all over the world he has the option to test all this new tracks he gets from so many good producers in the world. this time he collects the best of them and puts it all on one ep. a various artists ep selected and tested by the man himself. what else do you want!

the first release on phonica white limited series is from tokyos iori. this young producers impressive work ranges from woozy ambient electronics to full-on club tracks. the common thread is a highly developed sense of texture and arrangement.a-side galaxy is simply lean, expertly crafted techno, led by a rolling bassline and crisp hi-hats, with hypnotic melody patterns skittering off the surface. its a trippy but accessible heads-down affair that has the depth and the bite to do damage at peak-time and in the after-hours alike. urge on the flipside is an even deeper, sub-heavy cut, an insistent, club-friendly groove swathed in burbling synth arpeggios and fx. despite being stripped-back, the sound design and sheer warmth of the production is incredible. the track really breathes.

the second installment in the split lp series is a dutch affair, but it has everything it needs and more to soon make name far abroad. each side of the record contains a complete work clocking in at about twenty minutes.
side a is >chime ep< by hydrus. the four tracks they contributed stand out because of their meticulous production and their wonderful sense of melody and emotion. this is music in the best electronic tradition, blending hiphop, idm, ambient, funk, drone and badass breaks. hydrus begins this twenty-minute journey with a funky bump and end it in a mess of nervous percussion, splintered to dust.
side b is an altogether positive and quirky piece of work by kettel. like most of his work of the last few years, >yellow baron< is exploding with beautiful melody. in six tracks kettel puts everything to work to make your head bop, to bring a smile to your face and a tear to the corner of your eye. classic stuff, without losing sense of experiment.

mike minds only previous release, >acid machine<, has been tigas most played record since it was made. a full-time turbo employee, he has spent the past few years getting his brain around making techno, and continues to impress us with his output. his debut ep, >resonate<, is something of a departure for our label, and one we are very proud of.
its amazing to have this kind of music coming directly out of turbo hq, it nails a sound that we have always tried to cultivate. minimal without being boring, trippy without being predictable, unafraid of melody, and with just enough analog imperfection and warmth to it.
both of the remixers we chose represent different sounds in techno that have influenced mikes sound.
1: sophisticated italian groove*
giorgio gigli is an italian minimal-trance maestro, an incredibly modern renaissance man who is also a trained sommelier.** he is rising in the ranks and catching up in profile to his occasional production partner, donato dozzy. hopefully we will have more of his tracks on turbo soon.
2: m¦n¦m¦l
hobo is a fellow canadian best known for his excellent work on m¦nus. rumor has it, he borrowed richies quad-macro template file to finish the final version of this remix... whatever he did, his second effort came up huge, this mix is excellent.
enjoy!
thomas von party
* i have to include the word groove in every turbo onesheet i write, its either that or washing my hands constantly.
** true! go to turborecordings.com/sommelier to see giorgios chart pairing ten tracks
also: check out part 1 with a stunning kebacid (jesper dahlback & jori hulkkonen) remix

a new environ... always something to look out for. here a retro kevin saunderson meets mark kinchen work out... big fun meets show me love. designed to become a hit. comes with a morgan geist remix. hit.

1988 industrial / ebm classic!!!

played by: andreas henneberg, ascii disko, franco bianco, frank sonic, homebase, kiko martinez, oliver klein, paco osuna, patrick bateman, stephan bodzin, sweet n candy, tim green ...
awesome work from the big french newcomer leghau with a great remix package that includes greg delon, citizen kain & phuture traxx and bjoern stolpmann remixes.

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

remixes by masters at work of simply reds >thrill me< (1991) and xaviera golds >gonna get back to you< (1992).

pawel aka dial cofounder paul kominek aka turner just finished his debut album to be released in january 2010. >berkeley< introduces the upcoming longplayer inspired by almost two decades of detroits planet e - era and another 10years dial records. pawels music can be regarded as the essence of the labels work: deeply outstanding pearls for a dancefloor in love.

hamburg‘s very own stimming arrives on the hospitable shores of a freshly cut audiomatique with the wonderful ‚buxton pipes‘ ep. with releases on diynamic, freerange, terminal m and liebe*detail martin stimming‘s carreer was boosted by the underground hit „una pena“ last year and peaked in his debut album ‚refl ections‘ earlier this year. ‚buxton pipes‘, the lead track on the new ep, is a beautifully reduced, gentle roller that combines textural, shifting fi ltered percussion, phasing, effected melodies and a rich sub-room sound design that confi rms stimming‘s talents at working those subliminal zones. dainty, pretty and yet totally punchy at the right volumes, its a genuine slice of ultra modern micro-post-minimal- house. continuing the trippy, time-melting vibe perfectly, ‚kakusei‘ arrives with its pushing array of softened percussion and carefully extended spooky breakdowns. sliding and squelching through 7 minutes of prime tracky workout territory its another stellar addition to the record. finally the skipping ‚seepferdchen‘ throws a spanner in the otherwise smooth grooves with delicately jacked drum patterns and controlled sub-bassline throwdowns. super funky, ultimately reduced and sample-heavy it‘ll make those afterhours carry-ons all the more delicious. simply superb work from stimming on audiomatique. tracklisting: a: boxton pipes b1: kakusei b2: seepferdchen

hi quality nu disco work from scandi’s best kept secret kool dj dust !!

incl. manuel tur remix. the second chapter in mild pitch history reveals the cryptically twinkling gem that is langenberg s times , a dark yet sensitive house affair which easily bridges the gap from a rougher 1990s new jersey kind of feel to the modern takes on house music of today. filtered stab fragments and deep chordal layers gently slide into each other like watercolour and the shifting frequencies of a sizzling vinyl record contribute to langenberg s most thrilling work to date. on the flip, manuel tur gears up for an atmospheric remix expansion reminiscent of his critically acclaimed 0201 album debut on freerange earlier this year. countless harmonic layers twine around a filtered disco sample, without ever revealing its full sound spectrum while the raw tripping beat keeps stomping relentlessly…

juke and ghetto house hero dj gant-man was part of the fools gold family from the start - his remix of kid sisters >damn girl< was on the back of our very first release, quickly followed by production on kid sis >switch board< and shows around the country as her tour dj and hypeman. so naturally, we are very proud to present gants new solo single and debut fg artist release, >juke dat girl<.
from his earliest 12 inches on dance mania, to rocking parties around the world on the rave and club circuts alongside legends like paul johnson, gant has been pushing his signature chicago sound for almost two decades - mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. >juke dat girl< is the latest development of gants hybrid approach, slowing the bpms down to a more universal tempo but keeping the hyper, party-starting energy intact.
the banging original also comes backed with two massive remixes - an amped-up rave version from the heavily buzzed dc duo nadastrom and a groove-filled uk funky house rework from ex-bugz in the attic producers greenmoney. the entire single is a dj must-have, so pick it up and work! and juke! and work! and juke…

patterns has a string of releases lined up of pure quality funky techno and next in this line up is no other than josh love! josh has been doing great work lately solo and with his partner mat303 recently on labels like: kazoo, relatives, techhead & subcult to name just a few. he also has a release upcoming with great response on the patterns sublabel special series. now its time for a solo ep on patterns. the ep is in true patterns style. the a1 starts of with a synth driven funky techno track. the rest is funky techno like it should be. nice samplework, big beats filled with heavy percussion and basslines. all in all a great debut ep from this french producer.

john tejada was marooned in los angeles in the summer of 82. a strange place to grow up coming from vienna austria. even stranger considering the lack of techno there in the 90s. in a land of glowsticks and desert parties, tejada stuck to his love and development of his own unique electronic sound. fast forward to 2007 when detroit area native josh humphrey was also marooned in los angeles. it didnt take long for the two to meet and connect the cables on their modulars into a system twice as big. the result is marooned, palettes newest collaboration between john tejada and josh humphrey. the trio of songs reveal three sides to the duos work. the title track, marooned, joins humphreys modular synth work with tejadas beats and soothing pads, the result being a slice of beat-driven melodic techno created in a city where such sounds are rarely heard. melodiac continues from there with a lighter mood, with humphreys modular melodies and tejadas signature stabs and rhythms. rounding out the three is concrete safari, which largely focuses on humphreys modular fm synth work that slowly evolves into a cluster of tribal sounds, modular birds and grainy goodness. humphreys knowledge of synths and programming is quite extensive. he currently works with la based big city music, a dealer of modular and boutique synthesizers. it is also a place tejada frequents to test most of his gear

slammin 2003 release by sina m solouk aka devilfish (bush records ...) on frequent.

belgian producers sierra sam & marcus vector return to their house-oriented project d.i.y. (dumb irresponsible youth) for three more sly, sexy groovers, with contributions from dop, big bully and markus fix.
while sam and marcus are generally known for their more techno-focused productions, last years house tools vol. 1 was a minor hit, with tracks included in ellen alliens resident advisor podcast, jay hazes recent fabric47 mix cd, and m.a.n.d.y.s charts. since then, they ve kept busy with their own toys for boys label, meanwhile sierra sam has co-produced the debut album by bloody mary on contexterrior.
still, they ve found the time to crank out these new elegant-yet-sleazy cuts, and while vol. 1 was purely instrumental, for vol. 2 they ve roped in some guest vocalists. first up is their collab with comrades dop (circus company, eklo, supplement facts). >kilimanjaro< features d.i.y.s tribal bounce combined with dops seedy, trent reznor-on-opiates vocal delivery.
the flipside has two versions of >suck my caulk<: d.i.y.s original elevates thelevel of melody and sunshine, weaving in the voice of big bully (known forhis work on spectral, get physical and vakant). markus fix of cecille offers his own interpretation, bringing the track down into deep house territory. placed in the right hands, these tools can do some serious dancefloor damage!

after martin landskys last bomb on poker flat, man high, he comes back faithfully with we are streaking, a tasty two-tracker rich in classic landsky synth-work, deep moody melodies and forward pushing energies throughout. title track we are streaking sends a warm pulsing sonic charge right to the core. rushing, phasing and casually dramatic, an insistent synth theme revolves at the heart of this timeless slice of driving electronic house. characterised by landskys experienced produciton hands at the controls, its a slow tweaking, extended cut that will take you back whilst keeping your body very much in the here and now. the sharp post-electro swagger of personal decay punches in time to the heartbeat of a generation. taking inspiration from those adrenal, early days of rave, landsky combines modern, fi nely tuned electronics with raw, dubbed and funked passages of killer proportions. once again a perfect driver, in classic style martin shows off all angles of his love for the beat.

lets have fun! - thats the mantra of big zis and the crew of nation music. the swiss black music label has been broadening its musical spectrum over the past years. just like the artist big zis, whose music could most likely be labeled electro pop alternative punk rap, they dont care about common conventions.while rap becomes more and more pimped out, house loopier and minimal narrow-minded, big zis hooks up with a top-class troupe to get it her own way.for her most recent album und jetz … (and now …) she worked with marton di katz and valentino tomasi (both members of kalabreses famous rumpelorchester), who laid the musical foundations for most of the songs. for the impulsive electro on the track suure räge (acid rain) however, big zis collaborated with the techno producer michal ho (tuningspork) at the studio. suure räge got remixed by several well-known producers: robag wruhme (freude am tanzen) and canson (gs zürich) are to be found on volume 1 and the soul brothers lexx (aka kawabata / drumpoet) and kalabrese (stattmusik) successfully combat boredom on volume 2. the sound scapes of the remixes couldnt be any more diverse and cover a broad variety of styles. and be sure: volume 3 - work in progress - will delight you as well!

the title of max coopers stochastisch serie ep, refers to his use of stochastic methods, also known as non-deterministic, or random methods of sound generation. stochastic elements referring here mainly to real sounds including vocal experiments and sampled sounds which create a complexity and richness which has been a trademark of many well known traum releases in the past. the london based artist max cooper sees his new 12 inch as a construction of different moods going beyond club music, as witnessed in the past through tracks such as i and end of reason. it is no surprise that dischordance is another one of these timeless pearls alongside these mentioned tracks that have created a fan base worldwide for him. the friction max generates is created by two sides colliding, the synthesised drums and melodies and the random experiments with voice. his dance floor rockers stochastisch serie and mnemonic work in a much more functional way but do include bits of this randomness and therefore are part of the superstructure stochastisch serie. the remix of uk producer leeks is very hip in style and sound and will please a lot of younger djs who love the cool swing and groovyness with music and will find the functionlism here going very strong.

ever since kid massive decided to re-work this true classic, it seemed that many other people wanted to join the ride. we can surely say, this is the one! kids sound, the vocals of elliotte and the fantastic original song push it to the next level for 2009. on the remix duties no other than: avicii, carl tricks & beatchuggers!

torsten kanzlers next clubburner is in record stores now! be prepared for real kanzler sound: merciless stompin, mind blowing and powerful! these tracks will force you to dance! very good work by mr. kanzler! be fast to save your copy... this hot stuff will be out of stock soon!

a 12inch ep called here we come is filled with funky, groove and latin techno ryhmes from well known and respected artists in today s techno scene. a side contains american express techno machine bryant baker cooperating with croatian dj and producer miche. their track just deserves to be on the pole position spot a1. funky, groove and unique are just 3 words describing their work as a team. a2 spot represented by upcoming spanish star rantan.
da ghetto party is one track among the others which is really special and exclusively done for >beat forming< this lp. nice and smooth, groove and driving techno.
b side has been reserved for a latino dancefloor kicker done by josh love. the track is called sexiest rasta. jamaican rasta voice, nice groove beat and overrated control over everything. josh did a good work by making this happen. great track to jump on!
the last but not the least is a track done by kai aka vortechtral on b2. nice, smooth, groove and melodic techno track to dance on. great one for filling the 3rd deck with >the badman< voice thru the track.
beatformers are sure that this is an ep to keep an eye on. here we come ep is one of the newest on the market. a new era of techno on the 12inch!

greg schappert aka donor (brooklyn, ny) and tom russell aka truss (london, uk) first came into contact sometime towards the end of 2006. it didnt take long to realize that they had an immediate understanding of one anothers musical background and desired direction. finding that connection has resulted in the two continuing to work together on many joint projects, varying their style between more deep and hypnotic minimal techno to the more driving industrial style techno that they both grew up listening to.

russells contribution to the modern music scene is of such imortance that many consider his work to be untouchable but in this release all of the modern day producers have carefully picked out key elements of his songs whilst recording an entirely new and up to date soundtrack. over the last few months yam who?, robin & simon lee from faze action, singer mary moore, nycs pocketknife and my tiger my timing, andy spence from new young pony club have worked hard to create entirely new instruments and vocals. additional remix comes from mark e. especially fantastic cover version of >in the light of a miracle< by faze action ft. yam who and mary moore. features sleeve notes by danny krivit. heavy weight release.

donovan is a french parisian duo consisting of david saïd and nicolas nekmouche, formed in 2007. influenced by black music, french touch and techno as much as contemporary artists, donovan created an original sound, melodic and also very club, with tracks like >breakin, released on work it baby, a track featuring jessica rizzo released on gigolo records etc. so combining their respective influences, they obtain tracks full of energy and depth. the band hits the bulls eye and remixes requests start to pour in. among them two tracks of sebastien tellier for record makers, teenage bad girl, arnaud rebotini and several rock bands. dont pass on this one !

nice price deal !!! following up on her unanimously acclaimed debut album may be later (vakant), chilean artist and berlin transplant alejandra iglesias conceived anemik entirely for the wagon repair label after being approached by label head mathew jonson. a musing on femininity and the fine line between romance and delirium, anemik transcends borders in its range of influence and reflects consciousness in the fluidity and tangibly live origins of its creation. recorded using analog equipment and acoustic instruments with a strong emphasis on voice, there is a wisdom and maturity to this work that suggests an artist in the prime of her life.